Showing posts with label ivory. Show all posts
Showing posts with label ivory. Show all posts

Saturday, October 30, 2010

GUEST BLOG! Bliss in the heart of the Rockies

I am thrilled to announce our very first guest blogger: amazingly talented professional writer (and Annabel & Ruby bride) Anna Riling!  Anna was such a sweetheart and a pleasure to work with--we really bonded as we worked together to get the details of her dress just right.  It occurred to me that since she is an actual real writer (as opposed to a stream-of-consciousness rambling amateur blogger like...ahem...me)  maybe she'd be willing to share her special day with everyone--and she graciously agreed! Thank you, Anna, you're fantastic!

Anna's Story: I remember something a friend told me once after I had finally finished regurgitating some long forgotten boyfriend drama. He said, “Relationships take work, but not too much work.”
Whether it’s right or wrong, when you know, you know. In my experience, most of the time invested in the “wrong” relationships is spent righting it, or trying to. And when it’s right—it’s like you’ve spent your whole life hiking uphill, and finally the world levels out and you can just go for a stroll.



Enter Allen, my new husband. We met a year ago while rock climbing in a sun dappled scrub oak forest near where we live in southwest Colorado. Three weeks later, we moved in together. It was easy, but electric. He had this way, and still does, of stilling my mind and stirring my heart in equal measure. There was never any question that we’d get married. 
 When he proposed on a blustery Christmas morning in Michigan, where we were visiting his family, I was surprised more by the fact that his great grandmother’s ring actually fit my finger than by the proposal. Little did we know, slipping that ring on my finger was the beginning of a long sweaty journey through the jungle of bridal bliss, the final destination being the only thing of which we were sure. When we got home, we set the date for the summer, giving us about seven months to plan.
From the beginning, it was obvious that I would be micromanaging the crap out of my wedding. More picky than I am creative, if I didn’t know exactly what I wanted, I knew for sure what I didn’t. Not important to me were things like matching the color of the bridesmaids’ dresses to that of the table runners. What was important was infusing this dish of a wedding with a dash of the creative.
Via the wondrous, albeit somewhat overwhelming Google, I discovered the acronym “DIY”, and embraced everything those three little letters had to offer. I shamelessly pilfered ideas of brides more creative than I, perusing an obscene number of blog entries and conducting Google searches with titles like “bride pigtails” and “offbeat wedding readings”.
Soooo beautiful...gorgeous...breathtaking...and you can tell Anna really FEELS that way as well.  Plus comfortable and amazing!  Love it!
  Somewhere along the line, I learned of a little website called etsy.com. How I survived my life previous to the day I discovered that blessed URL I have no clue. Given that I can only sew in a straight line, my jewelry making supplies were the casualty of an overzealous yard sale, and my graphic design experience consists of Macgyvering Microsoft Word into a drawing program, the boon of having such a concentrated source of talent was epic. Within a day, my favorites list was in the triple digits.
Okay, let’s get down to brass tacks. The single most important item on my wedding list I probably share with every bride out there—The Dress. It had to be comfortable, for starters, and of course it had to make me feel like a pretty-pretty-princess. I’ve been in enough weddings to know that I didn’t want my wedding dress to fit like a bridesmaids dress. No cellulite-hugging chiffon, no strapless neckline requiring constant maintenance, and definitely nothing that would make we question whether or not to have another glass of champagne. When I entered “cotton wedding gown” into the search box on etsy, I found Rebecca’s shop, Annabel and Ruby. She was selling a dress that was a reproduction of a J. Crew gown I had seen and immediately coveted and just as immediately dismissed due to the exorbitant price tag.Her version was a fraction of the price, and she would make it in any fabric I desired.

 


The best part for me was that it would be made by an artist that would put her heart and soul into it, rather than by someone halfway around the world that couldn’t care less if I wanted ivory sateen or eggshell poplin.
 

This dress was it. I mean p-e-r-f-e-c-t. It had a gorgeous plunging V-neck, an empire waist, and a long, plush, very princess-y floor length skirt. Because of the cut and the gathered waist, I wouldn’t have to wear one of those gross Spanx things, or a bra—heck I wouldn’t even have to wear undies if I didn’t want to. One more glass of champagne? How ‘bout two?
 


Poor Rebecca patiently and graciously answered each one of my prolific requests for status updates (“how’s the dress coming?” and “just checking in!” and “any update on shipping?”). Over the course of our “convos”, an etsy term for instant message, we exchanged little tidbits of our lives. I’m pretty sure that the guys over at J. Crew wouldn’t have shared the story of the first date with their partners, or asked to see pictures of the necklace that I had made for my wedding. I loved having my dress made
by this woman. She had a genuine kindness, and was just as excited about making the dress as I was about wearing it.
 






Anna made her gorgeous necklace herself!
 Allen and I agreed that the first time he saw the dress should be when I was walking down the aisle. I couldn’t wait!

With the dress nailed down, I rotated through a succession projects, beginning with invitations. I made about a dozen versions, dazing my poor prospective husband with display after display of possible designs. His go-to response after a couple weeks of this was, “Well, do you like it?” Once we settled on a design it was really out of exhaustion more than decisiveness. However, they turned out, if I may say so, awesome.


Assembling them took the efforts of both my bridesmaids, a couple of gluesticks, and a
ball of hemp twine. The color and theme of the invitations ended up setting the tone for a
lot of the decorations at the actual ceremony. I used grey art paper, brown packing paper
I got for free from the print shop, and ivory cardstock, enclosing it in a recycled brown
envelope that matched the packing paper.


For the wedding favors, I knew that I didn’t want to give my guests, the most
important people in my life, a packet of Hershey’s Kisses with our heads glued on them.
Somewhere in my internet stalking, I read about a bride whose favors were homemade
family cookbooks. In the invitation, I included a request for a family recipe, and from
those recipes designed a flipbook that matched the style of the invitation. With recipes
sent by good wholesome Midwestern folk (“Spaghetti Casserole”) and Allen’s climbing
buddies (“Guinness Stout Gingerbread”), it’s probably the most eclectic cookbook I’ll
ever own!

I decided early on not to think too much about the flowers. I didn’t want any
elaborate arrangements, and for my bouquet all I really wanted was a humongous
sunflower. My vision for the centerpieces was a sparse gathering of a few flowers in a
cluster of random glasses, vases, and jars. 



I set my friends and family to work hoarding glass bottles. A few days before the wedding, I visited a local farm and handpicked a very diverse selection of flowers including sweet peas, delphiniums, crazy daisies, and dahlias. As for my sunflower, I supplemented one I had planted in my garden with several chocolate colored ones from a florist. My arrangements were put together by my mom and Allen’s 12-year old niece. They were lovelier than anything I could have imagined.





The wedding was held at a hundred-year old miner’s lodge high in the mountains.
The lodge itself had so much character that it took some pressure off of us to have to
decorate it. We decided to turn the basement into a bar, which had a cool industrial feel
with its red concrete floors, corrugated metal ceiling, and massive rock walls. I printed
a few hundred photos of Allen and me as kids, and of our adventures together, and hung
them from the walls using clothespins and hemp twine. We strung Christmas lights to
soften the space, and rented several high top café tables to complete the bar feel.
 


For the ceremony, our church was the deep mountain valley the lodge was
situated in. We couldn’t have designed a more magnificent view, as the Animas River
rushed out of a gorge and into meandering glacial till, evergreen forested peaks rising on
either side.



It rained for the whole ceremony, but I hardly noticed, such was the tunnel vision
I had for my gorgeous groom. I was vaguely conscious of making sure this didn’t turn
into a wet T-shirt contest, but the dress held up like a champ. I know that the bane
of planning every outdoor wedding is the possibility of rain, but everyone I talked to
afterwards said the rain felt like a blessing, that it completed the organic feel of the
wedding.



Because I didn’t set out to master every minute detail of my wedding, I wasn’t
fazed by the inevitable hangups. Like the rain, or when the string quartet got whittled
down to a solo act, or when, fifteen minutes before the ceremony, my maid of honor
hadn’t even started getting ready.



Like my dress, my wedding was buttoned up in all the right places, and loose
and relaxed in all the others. A true labor of love, weddings, like marriages, should take
work, but not too much work.


Isn't that just the best thing you've ever read??  Anna's calm and relaxed attitude, coupled with her determination to make her wedding to Allen personal and unique, resulted in a gorgeous event that was entirely THEM.  I love it like mad crazy!  Congratulations, you two! :-D  Also, please check out Anna's website, www.AnnaRiling.com, where you can read more of her amazing writing.

Monday, August 9, 2010

Lisa and Billy's retro fabulous wedding


Sometimes this crazy dress business of mine brings me into contact with the most amazing folks.  Lisa is one of those people that I'm so glad I got to meet--she's sweet and hilarious and SO incredibly talented.  And her new husband, Billy, is just adorable.  :-)

Lisa first found me on Etsy, after noticing that I was a fellow resident of the 'Burgh, and contacted me about making a custom wedding dress for her.  Lisa's original concept was something along the lines of the Emmeline, in the lovely ivory cotton sateen that I ADORE and use all the time, but with the addition of silk charmeuse ruffles on the bodice.  As we talked and thought about it more, we added darling elbow-length sleeves with a matching charmeuse ruffle at the sleeve hem.

Did I forget to mention that Lisa and I soon discovered that we were getting married on THE EXACT SAME DAY??  What a crazy coincidence!  Lisa is the most calm and organized bride I have ever met, and once she discovered how little planning I'd had time for, she quickly put me in touch with April at Mocha Rose Floral - who was generous enough to agree to do two weddings on the same day.  Hooray!

As the dress came together, Lisa had the inspired idea of adding a multi-colored crinoline for a little extra vintage cha-cha-cha! The crinoline was ivory, green and black to coordinate with the wedding color palette.  With the black satin sash she wore and her gorgeous anemone fascinator, nothing could have been more perfect.
Look at how happy these two lovebirds are! 

But that's not all!  Lisa wore her fabulous wedding dress to participate in the Diamond Dash, a scavenger-hunt kind of thing for a great big honkin' diamond engagement ring that took place all over Pittsburgh.  A photo of Lisa in her wedding dress riding her bike was posted on the Pittsburgh Post-Gazette website! :-)  (Photo courtesy of Joane Bartone Photography)
 Congratulations and best wishes to Lisa and Billy--I'm so glad that our shared wedding planning brought us together.

Friday, August 6, 2010

Lush serenity: A Buddhist wedding in Thailand

Every time I get to see photos from one of my brides, it's like a surprise gift.  There's so much going on before, during and after a wedding...especially when the wedding takes place thousands of miles from home!  Months may go by, and I'll wonder how everything came together and hope that the day was beautiful...

Chrissy first contacted me on Etsy nearly a year ago and told me about her plans to marry her husband-to-be in Thailand.  What could be better for a destination wedding in a warm, exotic locale than a simple and elegant cotton gown?

When I first set eyes on Chrissy's wedding photos, however, I was just blown away.  (And had an immediate desire to plan a trip to Thailand!)  The setting, the color palette, the flowers, the vibrancy and joy in these photos...

The formality of the Buddhist marriage ceremony blends so beautifully with the intimacy and personality of this bride and groom.  I love that they chose to immerse themselves in the authentic experience of the ceremony and the place.
Have you ever seen a couple look more blissful, relaxed and utterly happy?
Congratulations to the beautiful couple, and thank you for sharing these amazing photos with me! :-)

Sunday, April 4, 2010

Ella photo shoot

Time for another adventure in solitary photography!  As you may have noticed, the model in my most of my dress photos bears a striking resemblance to...ahem...a certain independent designer/seamstress/craft dork/mom/lapsed grad student...namely me. :-)  There are a couple of reasons for this: first of all, I am conveniently available and low-cost, and second of all, because when I'm making dress samples it's easiest to make them to fit me.  (No one else is around to poke with pins at two in the morning.  Except the Husbeast and Annabel, and I shudder to think of the consequences there...)
My ivory cotton sateen deep-v neck bridal gown (the J. Crew Genevieve reproduction) has been one of my most popular dresses, and I'm often contacted with requests to see the dress "on a real person."  I've only made the bridal version for other people, and I've never been lucky enough to make one that was anywhere close to my size so that I could try it on and snap some photos.  (Plus, I would feel guilty trying on one of my dear clients' dresses--that seems wrong somehow.)  I am hoping for pics from the brides who have this dress so that I can post them on the blog, but until they arrive, I decided that it was time to take matters into my own hands!
I was working on a tea-length version of the dress for a super-sweet bride named Lauren, and since it's always easier to make two of the same dress at once, I just went ahead and whipped up a knee-length version for myself.  It fits like a dream, makes my waist look tiny, has the sweet fabric-covered buttons up the back and the gorgeous ivory cotton sateen fabric that I love so much...plus a bit of organza interlining in the skirt, and built-in cups in the bust so that I don't have to wear a bra.  Could there be a more perfect dress for a beach wedding, or any casual outdoor event for that matter?
Husbeast is my sometime-photographer--he doesn't have any skills or anything, and mostly he spends the whole time pretending to be Austin Powers in the photo shoot sequences in the original movie ("Yeah baby, yeah!  You're a tiger!  You're a squirrel!  You're an angry squirrel!  And, I'm spent.")  Which does at least result in some good smiles on my part, though not the most artistic fashion photography.  However, Husbeast is pretty busy with school these days, so I was on my own with this shoot.
I don't have a tripod, or a fancy camera, or any space in my workshop/apartment for artistic staging (man, I can't wait to have my own work space!); however, I do have an ironing board, a stack of books, and a digital camera with a timer.  I can improvise.  I waited for a sunny day, did the best I could with my hair and makeup, put on the dress and started to vogue.  (Okay, just kidding about that last part.)  The pretty pink flowers belong to Annabel--she was the flower girl in a wedding last summer, and she caught the toss bouquet. :-)
I've decided that instead of continuing to refer to this gown as the "ivory cotton sateen deep-v bridal gown"--which began its life as the J. Crew Genevieve reproduction, but is now, I think, my own take on that original beautiful design--I re-christened the short version "Ella."  It just seemed right--simple, romantic, modern and classic all at the same time.  I love how the light plays on the texture of the cotton sateen in these pictures--it reminds me of how pearls look in the light.  So gorgeous.  Stay tuned for more photo shoot pics...the bridal Emmeline is next up!

Friday, February 12, 2010

Indie rock star eco chic

I first met Heather almost a year ago via Alchemy on Etsy.  She was looking for a unique wedding gown--a dress that would incorporate both her taste for retro design and her desire to have a completely eco-friendly wedding.
The original conception for Heather's dress was a simple 1920's style gown with a dropped ruched waistband, wide v-neckline and softly draped chiffon overdress.  I found the most amazing source for organic, fairly traded and sustainable fabrics, NearSea Naturals, which has since become one of my favorite fabric suppliers.  We ordered a length of their absolutely gorgeous, luminous peace silk and a length of the feather-light, delicately sheer chiffon.  The fabrics arrived and they were just so beautiful, I was almost afraid to cut them!
Next came many months of design contemplation.  Heather and I traded ideas; I sketched out possibilities; then one day, Heather found THE dress (or at least, THE dress bodice): a Dessy design with a deep v-neckline and mirrored deep-v back, lovely double chiffon ruffles all along the bodice gently cascading over the shoulders, and ruching over the bust and waistline.
We initially planned to add a simple tea-length or ankle-length sheath style bias-cut skirt, but then inspiration struck again: Heather saw a gorgeous white dress with the most amazingly retro-modern-urban-chic pencil skirt.  Since the groom will be wearing a bespoke fitted suit and looking every inch the indie rock star, it was a must that Heather be just as stylin'! (Luckily I hadn't cut the skirt out yet!)  After some more tweaks to the bodice design to make it just right for Heather, this gorgeous dress was done.  I can't wait to see how it looks on the lovely bride!

Tuesday, February 9, 2010

Esme Illuminated

It is always incredibly rewarding to see my creations brought to life by the gorgeous ladies who wear them, so I was thrilled to receive photos from one of my first bridal clients last night--the inspiration behind the Esme gown!  As you can see from the photos, I couldn't have asked for a lovelier bride or a more obviously over-the-moon couple. The joy radiating from these two is absolutely magical--it just goes to show how even a beautiful garment can look even better when worn by just the right person. 
The only word to describe the Esme gown is luminous. It was a joy to work with this luscious, luxurious ivory crepe-backed silk satin: soft, cool and fluid with a subtle sheen as though lit from within. The pearl-like glow seems to catch all of the light around it, reflecting up onto the skin. And could Esme be more 1930s glamor girl gorgeous?  It reminds me of a gown you would see in a photo of 1930s movie starlet Barbara Stanwyck...  
Luscious 100% silk crepe backed satin is amazingly soft and fluid, perfectly complementing the streamlined 1930s-inspired elegance of the design. The deep, slightly sweetheart shaped V-neckline frames the face beautifully, while the back dips dramatically in true starlet style. The gored skirt is fitted at the hip and flares out just above the knee, creating the most beautiful rippling movement as you walk. With a sweep length train, fully lined in 100% silk charmeuse with an underskirt of 100% silk organza, this gown would be perfect for a classically elegant vintage-inspired wedding or as a sleek and comfortable reception dress.  Congratulations to the lovely couple!